Autumn's Blog!
"So we beat on, boats against the current, borne back ceaselessly into the past." -- The Great Gatsby
Thursday, March 28, 2019
Loving someone is like going to the beach.
Tuesday, February 12, 2019
breakfast on a friday mourning
Tuesday, September 6, 2016
Writing Exercise #1
Wednesday, May 18, 2011
Ticking Tocking
onetwo
ticktock
threefour
tocktick
Monday, May 9, 2011
Fading Away
I touch your hand
Thursday, April 21, 2011
Love Hurts, Literally
Love already works in painful ways: falling in love head over heels, and then your heart is shattered. Like many have said, it's almost like "getting punched in the gut". And according to new research, this turns out not to be too far off -- the physical pain of an injury and the emotional pain of heartache are almost identical to the human brain and body. The pain a person can feel by both of these follows along the same neural pathways.
Until recently, studies have always shown the overlap in brain activity between emotional and physical pain, but those studies focused mainly on the feelings produced by them that were about the pain, like "I never want to feel that again" response after getting a paper cut or stubbing a toe. Not up until now have any studies linked purely emotional pain sources like grief or heartbreak with any sorts of pain like, for example, grabbing a hot bowl or mug.
For scientists to have gotten these results, they took 40 volunteers that had recently been through some heartbreak of their own, and, using an MRI took images of their brain when the volunteer was shown a picture of their ex. Surprisingly, the activity in the volunteer's brain was engaging the same pain circuits as when they were probed with heat sensors -- equivalent to the pain of holding a hot cup of coffee. The researchers that conducted this experiment believed that the intensity of the subjects' emotional hurting activated sensors in the pain pathways of the brain that are mostly tapped into only by physical stimulation, such as a slap or searing heat.
Could this be the cure for heartache? Unfortunately, no. Antidotes for physical pain, such as Ibuprofen, won't do much to mend a broken heart, but these new findings at least give some excuse to the hurt not being entirely in your head.
Tuesday, April 19, 2011
Then... and Now
This is so embarrassing, but here is a story about what pet we would want if we could have any pet in the entire world! from fifth grade:
Sunday, April 17, 2011
Fragile
Is what we do every day and every hour and every minute of our lives able to be called reality? Or are we being tricked into believing that it is? Those questions are the life of a man named Truman, born on live television to live a life inside a Hollywood movie set, evident to the entire world that his life is a TV show -- except for him. The people he meets, the town he lives in and the woman he even falls in "love" with is scripted and somehow filmed for the world to see.
Truman though, is not like the overly happy and eccentric actors upon the show, he is feeling trapped and depressed in this town, and wants to get away. Only all his attempts were failed one way or another. There was only ever one person who tried to reveal to him the truth about his life -- a woman named Sylvia that Truman was starting to fall in love with. She too, was whisked away from his life; they said she was going to Fiji. Evidently enough, Truman also had wanted to go to Fiji.
Finally Truman realizes that he must escape this town, this life full of fake and unreality. He is finally able to escape from the cameras and just try to get on with his life. Of course, his attempts for this are also tried to be stopped. Truman sets off upon the ocean, finally overcoming his fear of the water since his "dad" was drowned by a storm on the same waters. Surprisingly, even the tremendous storm created by the directors does not stop Truman from continuing to sail across the ocean. Then he hits the wall.
This part of the movie I believe is the most full of the symbolism for the message that the movie holds. It is here that Truman hits the wall, then seemingly walks across the water and up some stairs that lead to a door, hidden within the sky painted containment wall. Just before he walks through the door, a voice, almost seeming like God to Truman, starts to talk to him. He tells Truman that he has been there ever since he grew up, he watched him grow up into the man that he is, and that this world and life that Truman is leading is the best that anyone could have. He is protected from the dangers of the world, there is no evil inside this world, how could he possibly want to leave?
Truman does leave. He walks right out the door within the wall and there is nothing and no one that could have stopped him. This is like life. You live, protected and sheltered from your fears and weaknesses as a child, harbored by your parents and your innocence. For Truman to escape this, he is moving on to the part of his life that he must make his decisions, and his mistakes. He can no longer be protected by the scripts and the sets. That is the way that life is supposed to be. When Truman traveled across the ocean -- a symbol of the journey of one's life -- the directors did everything they could to try and stop him. Although it was hard for him to keep going, he still kept going. This is what we must do with our lives. If we are presented with challenges, we must get through them and continue our lives.
Advancing from your innocence to taking on your own responsibilities and living on your own is a tough thing. Truman was no longer being directed, and he was forced to make his own decisions as soon as he stepped through the door in that wall. The point is, when you have no one to direct you, you can do anything. "Life is fragile", is what Truman said during the movie. He is right, Life if fragile, and it is us who decide whether or not we want to take the risk of possibly making a crack in our fragile lives or not, and this is what makes life interesting. If no one was able take this risk, Life would be nothing but a boring shell. Truman was brave enough to take those risks, and we must also be this brave.
Wednesday, March 30, 2011
Author's Note: This piece is about a movie I recently watched in which a woman is left widowed by a freak accident that kills her husband. It is taking her awhile for the actuality of what has happened to sink in, and I wanted to portray the pain of what she was feeling through this poem. I experimented with format and capitalization of words that I thought were important feelings or objects. Comment what you think and any feedback for me!
I return home,
to what I Thought
was You and me.
But instead,
I find the House
Empty.
I return home
to where We used
to Stand
But now --
you've Gone;
Empty is my hand.
I return home
to once a Room filled
with Laughter
But now,
only Silence takes place
of what we Were.
And I return home
to the Regret
and the Stillness
Asking if the Pain of this
could ever Be
Less.
Thursday, January 6, 2011
His Majesty
Watching.
Watching...
Monday, December 13, 2010
The American Dream and the Past it Was Lost In
The Great Gatsby does not actually reveal the theme of the novel until the very end of the book in the last two chapters. During the closing pages of the novel, Fitsgerald wants to press on the point that the American Dream is not a dream, it is a lifestyle. In the 1920's when this book was written, there were some places where the American Dream was still alive, but where the novel takes place, the American Dream has been reduced to a small idea that is only of money and pleasure. Jay Gatsby is one of the people who confused the value of the American Dream with pleasure and money, somewhere in the middle his dream betraying him.
Daisy Buchanan, beautiful and with a voice like silk -- Gatsby's dream girl. Unfortunately, Daisy was too much of this in the literary sense. When Gatsby met Daisy before he went to war, they fell madly in love but when Gatsby was forced to go off to War, he made himself useful to his men and was offered to go to Oxford. By this time, Daisy was lonely and feeling unloved. Her letters started to include less and less of the happiness that usually radiated from her smiling face, and more of the same loneliness that Gatsby would soon become one with. Finally, Daisy said that she could not continue on waiting, and so she left Gatsby. For Gatsby though, she never really left. She was always there, except now he was the one waiting. Gatsby felt incomplete, and instead of striving to fill the empty spot in his heart, he proceeded to attempt to fulfill the "American Dream", and became rich. He bought a mansion, filled this mansion with parties and people everyday, hoping to see her face of full of happiness stumble upon him.
Daisy was now married to a man named Tom, and had a daughter who she fussed over. The 1920's were a time of money and pleasure, both of which Daisy and Tom had, but this was not enough. Tom was a straying husband, one who had cheated on Daisy multiple times, his newest mistress a woman named Myrtle. Daisy knew of these flings, but chose to do nothing about them. She instead questioned if what she had written in that fateful letter to Gatsby was the right choice.
Nick was the only being who knew the truth about Gatsby, about his obsession to find his love and his constant living in the past, and Nick stayed the only one to truly see through Gatsby's money. It also happened that Nick and Daisy were cousins, and Gatsby's only chance to fix what had gone wrong five years ago. Gatsby had worked up such a great vision of Daisy from what he remembered, that most of what she was to him had come out of his own mind and was far more than the real Daisy. When they finally re-unite, Gatsby seems to grasp this idea, but not fully, for he cannot see that Daisy is simply betraying him.
When the end of the novel comes around, Gatsby, one who has already accomplished the American Dream, and, one who has already found Daisy, simply has nothing else to live for. Gatsby must die. Gatsby held on to the green light of Daisy's dock for years, and he had almost been able to grasp it. Truly though, Gatsby's dream was behind him, in the past where he constantly tried to recreate. The green light has faded now, and with it Gatsby. "Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's not matter -- to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning ----- So we beat on, boats against the current, borne back ceaselessly into the past."
The Dream
The green light illuminates the water
Monday, May 31, 2010
Phoebe's Point of View
Phoebe walked outside carrying the tray of lemonade to Caroline, who was kneeling down in front of the garden, pulling out weeds that now lay strewn around her. The warmth of the sun washed down over her and she giggled; a slight breeze lifting her thin brown hair away from her face -- her body short and stout. She set the tray down on a table next to the garden and Caroline looked up at her, a smile appearing on her face, but also a worried line growing above her eyebrows. Caroline's eyes suddenly darted past Phoebe, seeing something behind her; her smile faltered, but Phoebe didn't seem to notice.
Phoebe's giggle filled the air once more, ringing on through the breeze, and her voice, high and childish, yet the words somewhat slurred, answered her mother, "Yes, Mom. Do you want some lemonade?"
"Sure sweetie," Caroline answered as she sat down next to Phoebe, "why don't you pour me some, my hands are dirty from weeding the garden."
Phoebe didn't seem to notice her mother's anxiousness, she was content that she was here with her mother, and the happiness of fulfilling the simple task of pouring lemonade still hung on her face. She had no way of knowing that within ten minutes, her whole life would be altered; she would not understand why the things that happened did, or for what reason they applied to her.
There was the sound of gravel popping as the red car pulled into the alley behind the yard where Phoebe and Caroline sat, and then the sound of car doors slamming, footsteps.
Caroline saw them before Phoebe, and quickly stood up and stepped in front of Phoebe's line of vision, not quite wanting Phoebe's moment of happiness to end. Phoebe tried to peer around her mother, the smile still resting on her face.
"Hello, Caroline," Phoebe heard a tentative voice of a woman speak from in front of Caroline.
"Norah, Paul," answered Caroline nervously.
"Who is it Mom?" asked Phoebe, a slight tremble in her voice.
Caroline took a deep breath, and then forced herself to smile, turning around to face Phoebe, "This woman is your mother, Phoebe, and this boy is your brother."
Phoebe's forehead scrunched in confusion, and tears formed in her eyes. Her lower lip trembled, and her face flushed with anger.
"I know this is hard to understand Phoebe," spoke the woman who had come, "but you grew inside of my stomach, and then once you were born," -- the woman breathed in deeply, as if struggling to say the words -- "your mother, Caroline, took you and raised you."
The tears that had welled up in Phoebe's eyes began to slowly slide down her face, and her high voice pierced the air, "My mother is not you. I don't have a brother."
Phoebe stepped away from her mother, feeling betrayed and confused; anger. All these feelings rushing up inside her collided, and another set of tears rolled down her rosy cheeks. Why are these mean people lying to me? Why is mom not trying to stop them? Phoebe's thoughts showed on her face and Caroline tried to step closer to her, but Phoebe backed away, shaking her head.
"Thanks," murmured Phoebe, her face blushing.
"I'm sure this is really confusing to you. It's confusing for me too."
Phoebe only nodded.
"So, what's your favorite color?"
"Green. Not bright though...more like the color of grass."
"That's my favorite color too."
Phoebe smiled and then the room was silent. Phoebe looked at Paul. His hair was the same color as hers, a soft brown, but his was more full. They had the same green eyes.
"I'd really like to know you Phoebe," Paul broke the silence. His eyes cast down, barely visible through his hair hanging down over his face.
I don't understand why these people want to know me. Mom should have told them to leave. She should have told them that she is my mother; that I am her daughter. I don't want to leave Mom, especially with people that I barely know. I don't want to leave Al and Rain and my garden. I already have a family, I don't want another one. Phoebe once again only nodded.
The room went silent once more, and then footsteps were heard on the stairs and Caroline popped her head in through the door.
"Phoebe, Paul and Norah are going to leave now. Why don't you come downstairs and say good-bye?"
Paul stood, and Phoebe rose only to mumble a good-bye. She then went and sat on her bed, listening to the footsteps go back down the stairs and then out onto the front porch. She heard Norah and Caroline's voices mixing into the summer air, but she did not listen to what was being said. A few moments later, car doors closed and the sound of tires hitting gravel got softer. Phoebe sat on her bed, eyes closed, angry, hurt tears making paths down her cheeks.
Thanks for reading this if you have. Any comments on what I could change, should change, or add to this piece would be great. Again, thanks for taking the time to read this.
Tuesday, May 11, 2010
Anatomy of a Family
Bees...
Small insects of wonder,
Studied through the eyes of one's heart.
Learned with the mind of one's soul.
Loved by the heart of one's spirit.
Bees;
One heart, one beat, one pulse...
The anatomy of a family.
Sunday, April 11, 2010
Today I was thinking about literature, and the use of words, letters. We all know how to read and write and say the ABC's, but in reality, aren't these little squiggles and lines just things that we made up? In truth, aren't letters just some person's idea of moving the world on to something bigger and better? These questions have been in my mind for awhile, and I have wanted to share them and get other people's opinions on them for awhile also. In my mind, letters and words are simply a person's imagination that turned into reality, the entire world's reality now; the past, present, and future, but are they really necessary?
Way back when human civilization was not developed, and cave people roamed the earth, they had no need to use words. They could communicate with simple nods of the head or hand gestures, or grunts. They were able to feel sadness, anger and love, all without the use of words or letters. Then some person came along and started to draw shapes, possibly on the wall of a cave or a clay tablet, and these shapes they gave meaning to, and then called "letters", and then, put these shapes together to form "words". Words and letters that the entire world knows, eats, sleeps, and talks. Everything in this world has a name, but in reality, is it just a few complex shapes pushed together to form a longer shape that someone decided was the label of an item, perhaps the closest thing sitting next to them on the table they worked at; or was it something deeper? These questions I, and perhaps other people, struggle to find a logical answer to.
Many people say that new technology pushed letters and words, also many other inventions, to happen, but does this mean that in the future, our world will have such a drive to find newer technology that is turns into a dystopic world? How we came up with letters and words, the world may never know. But if we didn't, would our world be the same?
Just something to think about. I myself need to think about this also. Comment your thoughts please!
Friday, January 29, 2010
Calling
This moment, so fresh--
crisp;
serene and peaceful
Wanting this moment to last,
to last forever,
to never end,
never change
Slight breezes blow,
cool and soft --
but not changing the way the sun warms our skin from the cloudless blue sky
Hand stretched out to run my fingers through the tall grass --
soft brown --
reaching up to touch the edge of the sky
Long stems waving in the wind --
sending a friendly greeting to me;
the breeze sending a hello of its own,
weaving around me, through me
As we walk,
I look around me, seeing the trees on the other side of this sea --
pale browns and tans --
barren against the blue of the sky
Reminding me
of how,
as new things say hello,
others say goodbye
I look all around me --
really look at all that is surrounding me --
and can't help feeling the corners of my mouth pull upwards
For when I leave,
and return home,
and fall asleep tonight,
I will wake up
the calling that pulled me to this place,
this place of peace and serenity;
the promise of happiness,
joy,
will still be.
Thursday, January 21, 2010
The Dream
White crystals falling gently to the gorund --
frosting the early morning grass with a different kind of dew
As the cool substance hits the ground --
once green and lush --
it slowly starts to build up
into a thick layering of wonder and beauty
The sky --
still starry from the night before --
begins to brighten;
pale purples and pinks,
oranges and yellow --
finally to a pale, pale blue
Being in this world full of tiny white flakes --
descending ever so softly to kiss the ground --
is like being inside a dream
A dream so real,
you can even feel the flakes landing on your skin,
catching on your eyelashes,
encasing you in a cool,
white blanket --
softer than anything in the world
Your heart feels lighter than air,
floating up towards the sky
Then it stops beating all together --
and this dream becomes reality.
Tuesday, December 15, 2009
Winter's Past
The whole world stands still
Me and the snow are the only things moving
I realize how beautiful the world is
When it is sleeping
And how wonderful it is
When the snow is cast for just one tiny second
And how during that tiny second,
It turns gold
Sending whirlwinds of snow around me,
It never makes a sound
And how the snow is so clumsy in the air
Yet it never fails,
To land so gracefully
And to no avail,
Is quieter than the wind
Than the wind and snow